Posts Tagged ‘Event Photographer’

Event coordinators who are looking to hire a professional photographer to document or cover a multi day convention, often make the mistake of looking for and hiring someone who specializes in weddings. Trust me, a convention is NOTHING like a wedding, or vice versa.

A multi day convention has no central character to follow (Bride and Groom), or families to deal with. There is no drama, there are only fast-paced, grueling 15-18 hour days containing meals, programs, breakouts, bus tours, walking tours, meetings, group photos, headshots, cocktail hours, dinners, awards, banquets, and near impossible deadlines to meet. THAT is a challenge that peaks my interest and I LOVE getting that call.

The following images were created at the most recent three day convention we covered.


  1. Communicate
    Respond to all emails, phone calls, and text messages, and do it IMMEDIATELY! Ask questions, probe the client for info on their event, schedules, agendas, “must-have” images, end-result needs and deadlines. If the photographer doesn’t ask the right questions, or any at all, they’re very likely to not provide the company, event planner, or client with the quality product they’re expecting and paying for.


  2. Timeliness
    It starts with showing up on time. In fact, it starts with BEING EARLY, particularly on the first day of any multi-day event. Once on the property, text your client to let them know you’re there. It goes a long way to alleviating one more worry in the client’s mind of all the things that could go wrong on the first day. They have enough to worry about without wondering if the photographer they’ve hired will even show up.


  3. Scout
    Once on the property, get familiar with every inch of the location you’re expected to be working within. There’s usually one main ballroom where everyone meets for presentations, but there are also possible smaller rooms for break-out sessions. Look at the lighting, speak with the A/V team that controls the lighting and find out if spots or a “stage-wash” will be used during the main presentation. You may find that their lighting is sufficient for what takes place on stage so you can work with “all-available” light, but be prepared to use flash when needed. The smaller break-out rooms won’t always be lit as well.


  4. Light
    Know your equipment, see the light, meet the challenge. Every location presents its own challenges and you are expected by your client to know how to handle all of them. Whether you’re fortunate enough to be in a room that’s beautifully washed in window light from the North, or if you’re in a windowless break-out room with flickering fluorescents, your images should be clean, sharp, and beautifully lit. If that means using a flash (and it will), use it, but use it correctly. Depending on the circumstances, an off-camera flash can be bounced off the ceiling, the wall, or aimed directly at the subject. Paint with your light conservatively and allow it to enhance your image, not dominate it.


  5. Stealth
    Do not become a distraction. Wear dark clothing if working around a stage. Blend into the darkness and become a Ninjatographer. Some of the best, most commercially useful images to a client are the ones that are candid, photojournalistic, and storytelling, where the subject had no idea they were being watched, much less photographed. Don’t approach the stage if you can avoid it, use long lenses instead. There will be times when being up close is necessary and unavoidable but limit them as much as possible.


  6. Emotion
    Laughter, handshakes, reactions to a speaker’s joke, intense concentration on the speaker, animated conversations, hand gestures… these are all things that show emotion. Action between two parties such as looking at an image on a single smart phone or taking a selfie together. This is storytelling. This is useful to most clients. These are often images used as “filler” on their websites to represent the event and promote their next one.


  7. Interaction
    Your client will not only evaluate the quality of your images, but how well you treat their guests, attendees, staff, and VIPs. Be as low-maintenance as possible, do not cause problems. Offer to assist and help resolve problems when they appear. Remember, you’re part of a team, you’re not “just a photographer.” Treat everyone with respect, smile, stay out of the way, be cordial, and for Heaven’s sake, don’t drink, cuss, or tell off-color jokes… EVER!


  8. Lenses
    Correct lens choice is a vital ingredient to capturing great images. Be prepared to switch lenses often or use two camera bodies, each with different zoom lenses. Three lenses that span 17-200mm will often give you the range you need to cover most corporate events. I’m a huge fan of fixed aperture lenses, with f2.8 being “a must.” Variable aperture zoom lenses (less expensive lenses with apertures that change based on focal length as you zoom) may limit your ability to zoom in under low light conditions and still produce good exposures.


  9. Processing
    Corporate event images are not expected to be “processed” with Instagram-like filters. Your clients are expecting clean, sharp, well-lit, well-composed images – not an artist’s fine-art interpretation of a scene. You should color and density correct all your images, edit out redundant, poorly exposed, and un-sharp images. Crop in post if necessary but provide as much full-frame as possible. You never know when they could use a panoramic image of a scene that you cropped because you saw it differently. If using two cameras, sort them in Adobe Bridge by “date created” and rename the images numerically (ex:”001-clientname-filenumber” thru “150-clientname-filenumber”). This will put all your images into chronological order regardless of the camera’s original file numbers.


  10. Delivery
    Speed is key. Turnaround shouldn’t take weeks, or in many cases, even days. In fact, many events want images in real-time so they can post to their social media accounts, showing those who didn’t attend, what they’re missing. Two or three times during the course of the day, download, batch process, export to low-res JPEGS, and upload to their server, a downloadable gallery, or Dropbox. Send the link to their media or marketing specialist and alert them that the “social-media-ready” images are available. You can export to high res later that night or at the end of the event and deliver the “print-ready” images after the conclusion of the event (again, should be done within 48 hours – max).


Bottom line, when it comes to photographing corporate events, it’s a different animal than wedding photography. You have less interaction with the subjects, but more interaction with the staff, event coordinators, and behind-the-scenes-clients. You’re a very integral part of a team – a machine that works best when it works together. Do your job, do it well, show up early, stay late, solve problems, and deliver better-than-expected images, ahead of schedule and without causing undo stress on your client.



I’m honored to have been selected to photograph the first annual Women’s Conference of Florida. Approximately a thousand women converged in downtown Tampa at the Marriott Waterside to attend and participate in presentations by some incredibly successful women in business, finance, and the arts.


The Grand Ballroom of the Marriott Waterside.

The event kicked off Thursday evening at the famed Tampa Theater, built in 1926, with author Cheryl Strayed, who was portrayed by Reese Witherspoon in the autobiographical movie “Wild.”


The Tampa Theater, built in 1926.


Cheryl Strayed, author of several books including “Wild,” a depiction of her hike up the Pacific Coast Trail.


Anna Maria Chavez began her career journey in the same Movement she now leads, Girl Scouts. A lifetime member of Girl Scouts of the USA (GSUSA) and an award winning community leader, she developed the leadership skills that propelled her to CEO of GSUSA.



Randi Zuckerberg, the former director of market development and spokesperson for Facebook, is the founder and CEO of Zuckerberg Media and editor-in-chief of Dot Complicated.


Jean Chatzky, the financial editor for NBC’s Today Show, is an award-winning personal finance journalist, and the host of Money Matters with Jean Chatzky on RLTV.


Arlene DiBenigno, President and CEO of WCOFFL presided over the conference.

I asked someone why they hired a man to photograph the conference.
They responded “We didn’t hire a man, we hired a photographer.”
And for that, I thank, and commend you.

It was an incredible two days of inspirational stories and thought provoking talks. It was about achieving goals that at one time seemed impossible for most women. I assure you, NOTHING is impossible for those that attended this conference.





I love events. I love photographing events. And I REALLY love finding the details in an event that give it its personality. I did not cover today’s event, but was hired exclusively to capture the details before everyone arrived. This is commercial photography, product photography, setup photography, and event photography, all rolled into one. Today’s event was styled by Becky Daly of “Tufted” and the pastries were by Melissa of “Chefin.” These are just a few of the many amazing details of this styled event. Enjoy!

Needs no explanation!

Needs no explanation!

A slight "pull back" of many of today's vintage details

A slight “pull back” of many of today’s vintage details

Rear spindle on a vintage sewing machine

Rear spindle on a vintage sewing machine

Candy Apples!

Candy Apples!

Bacon topped cupcakes (looked and smelled incredible)

Bacon topped cupcakes (looked and smelled incredible)

Cracker Jacks in a tin lunch pail

Cracker Jacks in a tin lunch pail

Lemonade Stand, complete with Mason Jar glasses

Lemonade Stand, complete with Mason Jar glasses

Was hired to cover a three day event in South Beach (Miami) last week. The last evening, my client  threw a party for the attendees on the rooftop of one of the hotels in the Art Deco District. I captured a few images of the setup before anyone arrived, this was taken just after sunset.

Whether corporate, or private, event photography is one of my favorite things to photograph. It’s very documentary, mostly available light, almost “voyeuristic” in the approach to capturing people interacting with each other versus with the camera.

If you’re an event planner for your company, or one who specializes in private affairs, contact me directly to discuss how Newsome’s Studio can highlight YOUR events.

Rooftop Party Location in the Art Deco District of South Beach, Miami.

Rooftop Party Location in the Art Deco District of South Beach, Miami.